Friday, March 31, 2017

Production

SHOOTING DAY!!! Okay so I was really excited to start filming. I got out of school early, put in my car everything I needed (camera, memory card, charger, camera lenses, computer, tripod, storyboard) and went of to my friend's house in Wellington. I arrived and we immediately started to get ready to go to Fisherman Island, we decided to make a day out of it. We put everything in Cristobal's car and went on our way. When we got to the place we were supposed to kayak from, there were nets all over it saying that we couldn't cross and there were a lot of cars and policemen. We asked around an realized that we were near President Trump's house in West palm Beach so there was a lo of security. We decided to go the other way around and it was clear and perfect to go through. As soon as we got in the water there was a lot of mud and it was really difficult to get through so we kind of got stuck.

Soooooo I had to resort to plan B, even though I really wanted to shoot here. We got our stuff and went to a beach that was 10min away and it was beautiful. I got really lucky that the day was sunny and clear.
When we got to the beach we want as far as we could so we can get away from people since it was a public beach. I set up my camera and tripod and started to make marks on the sand instructing Cristobal on where he should stand.

I filmed I couple of shots to get a sense of what it would look like and half way through I realized that the angle of the camera was showing a lot of houses and people in the back, so I had to adjust it and start all over again. The second time was way better since it made the beach look more primitive and the focus would be on him now. 

I wanted most of my shots to be long shots in order to establish the vastness and the simplicity that goes accordingly with my story. The only close-ups are of the character. I did this in order to introduce him and establish intimacy with the character. Close-up of his bare hands, eyes, and face. Also the fact that he is working on his tools signifies that he is getting ready to keep going. The fact that he is sitting means that he is tired, but by working on his tool means that he is not giving up yet.





I thought it was going to take me two days to film, but I was able to get everything done in one. Such a relieve. Shooting was really fun, but also a learning experience. I usually use my camera for photographs and using it for video taught me a lot. I had to manage the natural light and what kind of lens to use in order to get the right shot, which was harder because when you take pictures you can just manually adjust the settings and arrange what kind of aperture and shutter speed you need, but with video it was harder to get the right view. I think today was a successful day!  






Wednesday, March 29, 2017

Music

For the music I was always set on the same song: "Tonada De Luna Llena" by Simon Diaz. I chose this song for many different reasons. First of all Simon Diaz. 

Simon Diaz is a singer and composer of Venezuelan music, whose work is regarded as one of the most important legacies for both Venezuelan and Latin American popular music. He has a unique essence that identifies with the simplicity of Latin America's culture and views. Whenever I would travel through Venezuela whether it was to beautiful beaches, deserts, or plains, my dad would always put his songs on and I remember just being fascinated by them. They have a sort of nostalgia in them. His songs are usually about ordinary lifes in the rural atmosphere. Sometimes he would turn folkloric legends into songs, complying with their oral tradition. Adding his song as the soundtrack was like adding a piece of me to it. 


His song, "Tonada De Luna Llena" ties perfectly with the theme of my movie. The melody of the song and the whistle gives a mysterious undertone that I think would grab the viewers attention. The lyrics of the song is very poetic. It talks about the hardships the man is enduring in his love life, work life, family life and how the moon is always there watching over everything. The below sound adds to the myth theme of the story as well. This is definitely the song I want to use, and now I need to begin the process of acquiring the rights of the song.


Sunday, March 26, 2017

Shooting Locations

Today I should be starting to Shoot, BUT!! The due date was moved from the 9th to the 11th so I am feeling a little less stressed out now that I know I have a couple of few more days. So since my character analysis I talked to my friend Cristobal and he told me he would love to act in my video. I was so relieved. I told him about the story and what my visualization of it was and asked him if he knew of any places that would fit my description. He told me I should come up to his house in Wellington and go see some places since there are lot of beautiful beaches over there. He specifically told me about this little island called Fisherman Island that is in a lake near his house. I got so excited when he told me he could take me to it and we could film there.


So Fisherman Island is my plan A, my Plan B would be to go to another beach close by. I am planning going up there between Thursday and Friday in case we need two days.

Saturday, March 25, 2017

Character Analysis (Kenaz)

Meet the star of my story, Kenaz!
Kenaz is a boy that was raised solely by his mom (the father died) in a small coastal town in the Caribbean. The community they live with is pretty tight, in the sense that it has been there since generations and they practice oral traditions and occasions that brings them close to their past. They lived a simple life. Kenaz is an adventurous boy, he is loved by everyone in town, even though he might get in trouble sometimes. Every month at the end of the month, the community gathers around a fire to honor the old legend of the moon and the sun (the one I previously wrote). Kenny was fascinated with this story when he was about 8 years old, and he would ask his mother all sorts of questions about it. His mother would tell him to get him to sleep. As time went by, Kenaz's mother kept growing sick. When he was about 14 he decided to take venture on this journey to find the island that would eventually help him to save his mother. This journey took him three years, so by the time he reached the island he was now 17 years old.So the story is basically about his transformative journey and the things he encounters along the way. The archetype of this character would be "the survivor" who never gives up and always pulls through, or "the hero"who does everything to fulfill a task.
In order to represent this character I wanted to use a little boy. Now this was a challenge. I needed someone who could be able to shoot at the beach and be available and attentive. I first tried with my friend's little brother but there were a lot of scheduling problems and it was just impossible with the time I had remaining. So I realized I would have to use someone older. And that is how I decided it would be better to open with the last scene of the story with the 17 year old Kenaz. I immediately knew who I wanted to use to play this role. My friend Cristobal Mendez. He fitted perfectly with my image of Kenaz, and I knew he would be willing to help me and shoot scenes at the beach.

Physical qualities:
-Tan skin
-brown eyes
-strong
-medium height

Personal qualities:
-Simple
-wise
-Adventurous

Friday, March 24, 2017

storyboard

Now that my story is clear I was able to make my first story board. My film opening is going to start with the last scene of the movie. The plot of the movie is about this kid (Kenaz) that lives in an coastal small town with his mom. The town is very traditional and sticks to its roots. Kenaz's mom tells him about this legend of the moon and sun, and the powers they bring (the short story i wrote before). And this sticks in his mind. When Kenaz is about 14 years old, his mom starts to get sick. So he decides to go on this journey in search of the island the legend talked about in order to get a jar of moon and bring it back to his mom so she can recover. The movie is about the journey he ventures. The people and the hardships he meets along the way. The last scene, which is my two minute video, is three years into his journey when he finally sees the island.








Wednesday, March 22, 2017

About Time!

I've had a hard time trying to figure out my story, but i think i finally have it. The idea came to me while I was looking at pictures in my computer from my trip to Alice Town, Bimini. This is a place that i absolutely love. I've been going there since I was about 8 years old. I love the people, the humility and simplicity that surrounds the island. It consists of a little town with a small population where everybody knows each other. Where everyone seems content and with little preoccupation.
As i kept thinking about this place, my mind started going. I started to imagine my main character. I started to incorporate the oral tradition, that it is generally a key quality from these small towns, into my story relating it to my personal experience with the poem my dad use to recite.
It all just kind of came pouring out of me in Spanish,

"El mar caribe no siempre fue azul majestuoso. Poca era la diferencia entre el abundante mar y los pequeñitos parches de tierra. La oscuridad era una sola tonalidad, y la escasa luz la conseguían los pescadores en las noches de luna llena. De eso consistía la vida antes del natalicio del sol.  La leyenda cuenta de un viejo pescador que habitaba una pequeña isla en soledad. Las noches en que la luna no brillaba, las estrellas hacían compañía al viejo pescador, el cual cantaba y tarareaba y estas danzaban al compas. Una estrella en particular, esperaba con ansias todas las noches por su viejo pescador, y brillaba lo mas que podia para brindarle una pequeña guía hacia ella. Pero aun así el pescador no abandonaba su isla. Aproximadamente cada 25 noches, el pescador empezaba sus preparativos en anticipación a la luna llena que se avecinaría en la noche 28 a pocos metros de su isla. La luna llena no solo proveía luz para la pesca pero poseía cantidades de cualidades extraordinarias. Tan solo un frasquito de luna era suficiente para alejar males, encantar a los desencantados, aliviar a los niños inquietos y ayudar al bien morir. El viejo pescador iba en búsqueda de un aire de luna para rehabilitar sus añejas fuerzas. Mientras se dedicaba a la luna, aquella estrella lo alumbraba con sus celos ardientes. Y cuando el día 28 llego, nació el sol. Aquella estrella había estallado de su amor embotellado. El pescador salió de su humilde casa para darse a ver que el mar era azul y su pelo era blanco ya. Los pequeños parches de tierras se convertían ahora en grandes continentes, debido al calor ardiente de esta estrella evolucionada. La luna opacada ahora por una nueva esfera. El viejo pescador lloraba por el desacostumbre de luz en sus ojos y por la falta de su frasco de luna. La estrella que ahora por nombre le daban sol, puso fin a la oscuridad perpetua y feliz miraba como todos los botecitos pescaban alegremente. Todos menos el de su viejo pescador, que se encontraba tirado en el suelo atacado por su vejez. El sol sabia que necesitaría de la luna. Y así fue que se creo el día y la noche. Todavía, en algún lugar remoto del Mar Caribe, existe esta pequeña isla. Donde? no esta claro. Pero atrevidos son aquellos que van en búsqueda del día 28 en el que la luna se acerca a solo metros de distancia, para regresar con un frasco de luna."


Translation:

"The Caribbean Sea was not always a majestic blue, but the difference between the abundant sea and the small patches of earth. The darkness was a single tonality, and the little light obtained by the fishermen where on the nights of  full moon filled with stars.That was life before the sun was born. The legend tells of an old fisherman who inhabited a small island in solitude. The nights on which the moon did not shine, the stars always kept company with the old fisherman, who sang And hummed to them and they danced to compass. A particular star, waited anxiously every night for his old fisherman, and gleamed as much as she could to give him a little guide to her. But still the fisherman did not leave his island. Approximately every 25 nights, the fisherman began his preparations in anticipation of the full moon that would come at night 28 just a few meters from his island. The full moon not only provided light for fishing but possessed extraordinary qualities. Just a little bottle of moon was enough to ward off ills, to enchant the disenchanted, to relieve the restless children, to look at what needs to be seen, and to help the good die. That night was a very important one for our old fisherman, who went in search of an air of moon to rehabilitate its old strength. After two days of preparation for offerings to the moon, the star lit him with his ardent jealousy. And when the 28th arrived, the sun was born. That star had burst from her bottled love. The fisherman left his humble house to see that the sea was blue and his hair was white already. Small patches of earth now became large continents, due to the fiery heat of this evolved star. The moon now obscured by a new sphere. But still with so much power, she left the small island of his old fisherman intact. Who was crying because he was not used to the light in his eyes and because he was left without hi jar of moon. The star, which was now called sun, put an end to the perpetual darkness, and watched happily as all the little boats fished merrily. All but the one of his old fisherman, who was lying on the ground attacked by his old age. The sun knew he would need the moon. And that's how day and night ware created. Now, some say, somewhere in the Caribbean Sea this small island exists. Where? it is not clear. But daring are those who go in search of the 28th day in which the moon approaches only meters away, to return with a jar of moon. "

Monday, March 20, 2017

Stories are essential

The stories our parents tell us about who we are are the stories we tell ourselves. It is what we use as base of our development and beliefs. I remember a poem my dad used to read to me called "La Luna" or "The Moon" by Jaime Sabines. He would recite this by memory whenever I was restless and it was time for bed. I remember that it would always calm me down. It left me thinking, wondering, dreaming. And as I heard his voice I would lay on my side and look through my window at the starry night trying to find the moon in between the mountains. The poem went like this: 


La luna
La luna se puede tomar a cucharadas
o como una cápsula cada dos horas.
Es buena como hipnótico y sedante
y también alivia
a los que se han intoxicado de filosofía
Un pedazo de luna en el bolsillo
es el mejor amuleto que la pata de conejo:
sirve para encontrar a quien se ama,
y para alejar a los médicos y las clínicas.
Se puede dar de postre a los niños
cuando no se han dormido,
y unas gotas de luna en los ojos de los ancianos
ayudan a bien morir
Pon una hoja tierna de la luna
debajo de tu almohada
y mirarás lo que quieras ver.
Lleva siempre un frasquito del aire de la luna
para cuando te ahogues,
y dale la llave de la luna
a los presos y a los desencantados.
Para los condenados a muerte
y para los condenados a vida
no hay mejor estimulante que la luna
en dosis precisas y controladas


The Moon
You can take the moon by the spoonful
or in capsules every two hours.
It’s useful as a hypnotic and sedative
and besides it relieves
those who have had too much philosophy.
A piece of moon in your purse
works better than a rabbit’s foot.
Helps you find a lover
or get rich without anyone knowing,
and it staves off doctors and clinics.
You can give it to children like candy
when they’ve not gone to sleep,
and a few drops of moon in the eyes of the old
helps them to die in peace.
Put a new leaf of moon
under your pillow
and you’ll see what you want to.
Always carry a little bottle of air of the moon
to keep you from drowning.
Give the key to the moon
to prisoners and the disappointed.
For those who are sentenced to death
and for those who are sentenced to life
there is no better tonic than the moon
in precise and regular doses.
It talks about the grandiose powers the moon can posses over us humans. The power to give peace, health, and happiness. This is the story i remember most vividly from my childhood. When I hear it, it takes me back home. So i decided that my plot was going to have a reference to it. I derived power from the moon, tying in perfectly with the magic realism genre. Now I need to figure out my story.

Thursday, March 16, 2017

Important things to remember

"WRITE WHAT YOU KNOW"
(few pieces of advice)

In order to come up with my own idea I looked back on this phrase. I decided to go online and look at the different opinions that showed up. This three were the most helpful and interesting ones to me. I feel more confident to write my story and being my story boards.

Writer's Digest






The Atlantic
Big Think




          "KNOW YOUR PURPOSE"


                               






Tuesday, March 14, 2017

Ordinary events with a touch of the extraordinary

To me, this is the most important thing when concocting a project of mine. I can take a personal account, as ordinary as it can be, and injected with fantastical elements from my imagination that let the message get across in many different levels. It is a way of escapism. escaping one's reality. Letting the viewer understand that if they look closely, the might find that beauty too. They might find that "element," as hidden as it may be, in their daily routines or problems with work, school, love, etc.. In order for this magical touch to function on the narrative, the setting must also be manipulated. I found a great example of this in the film La La Land by Damien Chazelle.


The plot deals with a love story between Mia and Sebastian, two struggling artists in the city of Los Angeles. The movie goes through the disappointments and hardships every artist goes through while "trying to make it."  So there's something very real about this story. Something that people identify with. Universal themes like love and dreams. Or in other words, by Mr. Chazelle“There something to be said for having even unrealistic dreams. Even if the dreams don’t come true – that to me is what’s beautiful about Los Angeles. It’s full of these people who have moved there to chase these dreams. A lot of those people are told by people around them that they’re crazy, or that they’re living in la la land. I wanted to make a movie that saluted them a little bit, and that kind of unrealistic state of mind.” 
Now, where the element of fantasy is added is primarily in the setting. The movie is filmed on location in Los Angeles. The director wanted everything to be real, but with a hyperbolic touch that makes what would be ordinary, extraordinary.
Real vs Fantastic




Sunday, March 12, 2017

GenreGenreGenreGenre

Magic realism....
Magic realism is a genre of narrative fiction that expresses elements of the real world while adding some magical or unreal elements. (Here is the extensive version). The juxtapositions of this two words are what makes it unique. This genre originated in many platforms of arts, and only recently in films. It is said that its roots come from Latin America, used by many poets like Borges and Garcia Lorca.
I think this genre will allow me to convey my message and have a part of me in it. This genre has close ties to my heritage to Latin America. Some of the greatest Hispanic authors have used this theme in their works. Works that i have read and studied in my old school in Venezuela. People like Garcia Marquez and Isabel Allende have written stories that shaped my childhood and represent my culture. I realized that I wanted to do something based off of that. My childhood. I want my inner-self to be represented in my work. I want that essence of innocence that we all used to have (the lucky ones still do). That essence that gets lost with time. That we forget. I want to play around with the feeling of nostalgia. with the ephemeral manner of memories, of our imagination. The vivid imagination a child has that lets him or her stand at the face of a problem and create their way out of it. I found this in my notebook from a couple of months ago. It has sort of always been on my mind. The idea of not wanting to grow up and lose that "magic."




Friday, March 10, 2017

In Search for Some INSPIRATION...

So, hello again!
Since my last post I have decided to do some research based on the films, directors, and authors I liked in order to find some common ground on what my story and techniques should be driven by. I had to give myself a limit in order to chose and relate the themes. I decided to pick 8 of my favorite films, 1 book, and 3 directors.  For the directors I chose Martin Scorsese, Ang Lee, and Damien Chazelle. I read their biography and the way each of them interpreted their work. I chose a quote from each one that encouraged me about my project, and i learned that there is more than one way to approach it. I then gathered some of my favorite films in order to find something that would guide me, and evidently i did. I realized that they followed a genre pattern. Each of these movies have some sort of fantasy touch in them. Whether directly or indirectly, but is there. The plots deal with real situations and problems shown through a fantastical lens. Even historical issues like the French Revolution in Les Mis or the Communist Party's tensions in Russia in The Concert are reverberated by the musical quality. The life of George Mellies is represented through the respective innocence of a child in Hugo. The Same Innocence is represented in Slumdog Millionaire to portray the hardships on the streets of India. Life of Pi and Midnight In Paris deal with the blurring lines between reality and fantasy. Same thing goes for the book i chose, The Little PrinceThe Little Prince is a children's book, but it also has many layers and interpretations. And it is all told through the perspective of this prince child. I feel that now I am one step closer. By organizing myself this way I was able to figure out the genre of my film... MAGIC REALISM!!! (meaning fantasy/drama).

Directors:
  • Martin Scorcece: "There is an essence to the project that you must protect. You cant make concessions on that. the story cannot be tampered with past that point; you have to fight off every power or force around you."
  • Damien Chazelle: When you're trying to paint a portrait of a very specific war;d, you're trying to show what makes the world different. So, sometimes it means exaggerating certain kind of aspects, but I don't think it's that important or it's that much of an issue as long as you get an emotional truth across."
  • Ang Lee: "Nothing stands still. That's important in my movies. People want to believe something, want to hang on to something to get security and want to trust each other. But things change. Given enough time, nothing stands still. I think seeking for security and lack of security is another thing in my movies."



    Book:
    By Antoine De Saint-Exupery


    Films:
    By Damien Chazelle
    (Musical, Romance, fantasy)

    By Ang Lee
    (Drama, fantasy, adventure)
    By Radu Mihaileanu
    (Musical, drama, comedy)

    By Martin Scorsese
    (fantasy, historical drama)
    By Nicholas Ray
    (Drama)
    By Danny Boyle
    (drama)
    By Woody Allen
    (fantasy, romance, drama)
    By Tom Hooper
    (musical, historical drama)




    Wednesday, March 8, 2017

    My First Post

    Well hello,
    I am very happy (and nervouse) to invite you into my space! In this blog a will be documenting my journey through the execution of a 2 minute film opening from scratch. I will post the steps and missteps i will have hopefully all leading to a grandiose result.
    I must admit I've never done this before. What i mean is, I've never documented my thought processes and shared them in such a public matter, but as they say (who's they?), "there's a first time for everything." So first, I am going to start by talking a little about myself. My full name is Ana Isabel, even though I don't really react to it, so for the majority of people I'm Ani. I'm 18 years old and originally from Caracas, Venezuela. I moved to Florida about 5 years ago, and my country and heritage are something that I hold very dearly. Two main things you should know about me. Number one,  I am a  curious person. I like to know how everything is done and the reason why and the motives that drove a  certain conclusion. I yearn information when it's about a subject i am interested in. Number two, I am a person who enjoys the arts. I love poetry and the way it makes you feel identified. I love films and the way small and precise decisions are made in order to convey a feeling. I love music and the way the artist accentuates empathy towards his instrument to connect with his audience. The cultural fusion from these works of art between my native country and where I live now is what is going to drive my inspiration for this project.
    I have struggled a lot about my idea for my opening. I've been kind of stuck. There are too may thoughts and propositions I've been entertaining, but nothing ends up being concrete. I got frustrated and wanted to drop the project. But I  decided to take a breath and gather a little inspiration from my notebook were i write and annotate stuff and found the following:

    This a famous quote from the great American writer, which I'm a fan of, Kurt Vonnegut. He was one of the first American authors that I was fond of since one of the first short stories i ever read when i moved here was written by him. It was called Harrison Bergeron. It is dystopian story dealing with the idea of individualism and distinct human qualities. And i never forgot it. I kept researching about him and wrote some stuff down a couple of years ago. Who would of thought it would help me today. I know that this is going to be a difficult process but nonetheless at the end i would have created something that represents me and what i want to transmit. Now i have to organize myself and figure out my story. I'm very much looking forward for what is next.